♥ Chelsey
Pages
Wednesday, July 6, 2011
The End.
♥ Chelsey
Friday, June 17, 2011
New.
Monday, May 30, 2011
Determination
Thursday, May 26, 2011
Relevant.
How we met and the sparks flew instantly,
People would say they're the lucky ones.
I used to know my place was a spot next to you,
Now I'm searching the room for an empty seat,
'Cause lately I don't even know what page you're on.
Oh, a simple complication,
Miscommunications lead to fall-out.
So many things that I wished you knew,
So many walls that I can't break through.
[Chorus:]
Now I'm standing alone in a crowded room and we're not speaking,
And I'm dying to know is it killing you like it's killing me, yeah?
I don't know what to say, since the twist of fate when it all broke down,
And the story of us looks a lot like a tragedy now.
Next chapter.
How'd we end up this way?
See me nervously pulling at my clothes and trying to look busy,
And you're doing your best to avoid me.
I started to think one day I'd tell the story of us,
How I was losing my mind when I saw you here,
But you held your pride like you should've held me.
Oh, I'm scared to see the ending,
Why are we pretending this is nothing?
I'd tell you I miss you but I don't know how,
I've never heard silence quite this loud.
[Chorus:]
Now I'm standing alone in a crowded room and we're not speaking,
And I'm dying to know is it killing you like it's killing me, yeah?
I don't know what to say, since the twist of fate when it all broke down,
And the story of us looks a lot like a tragedy now.
This is looking like a contest,
Of who can act like the careless,
But I liked it better when you were on my side.
The battle's in your hands now,
But I would lay my armor down
If you said you'd rather love than fight.
So many things that you wished I knew,
But the story of us might be ending soon.
[Chorus:]
Now I'm standing alone in a crowded room and we're not speaking,
And I'm dying to know is it killing you like it's killing me, yeah?
I don't know what to say, since the twist of fate when it all broke down,
And the story of us looks a lot like a tragedy now, now, now.
And we're not speaking,
And I'm dying to know is it killing you like it's killing me, yeah?
I don't know what to say, since the twist of fate 'cause we're going down,
And the story of us looks a lot like a tragedy now.
The end.
Monday, May 23, 2011
Guardian: Quicktake--Messages Shouldn't Be Dismissed (3)
The latest controversy to occur in our neighborhood comes from La Jolla High School, where the administration censored the messages “Freedom for Iran” and “Down with Dictator” that students painted on a bench.
The ACLU is suing the San Diego Union School District, demanding that it surrender its authority to eradicate any message it deems too inappropriate, as this violates the students’ right to be heard. ACLU activism aside, this is a prime educational opportunity.
If students care enough to paint these opinions, the administration has the obligation to utilize the students’ freedom of expression as an opportunity to teach.
According to the LHJS conduct code, the senior benches are intended for messages of school spirit and birthday wishes. Because of these established rules and federal law, the school is within its rights to censor the benches. But some impassioned students wanted their impact to extend beyond peppy school-spirited messages. These attempts at peer education shouldn’t simply be eradicated when they obviously concern an issue that students care about. Yasamin Elahi, the senior who painted the messages, said, “I never did any of this to get attention or hurt my school… I wrote the messages so kids would realize that there is a lot going on outside the world [of] La Jolla that they live in.”
The benches could have easily highlighted the controversy and provided an ideal point to start a real discussion about current events. When students so publicly displayed their need to show their peers what’s happening outside of campus halls, the administration at LJHS should have taken advantage of the opportunity to educate.
—Chelsey Davis
Contributing Writer
Friday, May 20, 2011
Guardian: Quicktake--To Porn In Public Or Not? (2)
Blocking Basic Rights is Objectionable
A New York Public Library spokesperson announced on April 23 that it is within the First Amendment rights of adult patrons to view pornography on computers in any of the city’s 200-plus libraries. But despite the obvious moral challenges the policy’s yielded, legally, it’s all there.
According to federal law, the libraries must comply with the Children’s Internet Protection Act in order to retain funding, meaning that computers in the libraries must have filters that block any illegal content, such as child pornography. Patrons over the age of 17, however, can disable the filters if they wish to do so for “research purposes,” and by law, the library cannot censor any legal Web content — pornography included.
If parents are also worried about their children catching a glimpse of objectionable content as they pass on their way to the children’s section, the libraries also provide each computer with a set of dividers and headphones to keep patrons’ computer use as private as possible. These precautions allow patrons their freedom while also providing adequate protection to children.
Though different states have their own laws on pornography, the general rule in the United States is if the act depicted in the pornographic content is legal, then it can be legally sold and viewed. Adults have the right to view pornography; the New York Public Library system is simply acknowledging that fact. This policy does not promote public indecency — it just officially isn’t part of a librarian’s job description to patrol the desktops, looking for images that she doesn’t care to find.
— Chelsey Davis
Contributing Writer (BITCHES!)
Thursday, May 19, 2011
You're Not Sorry
Hoping you would come around
I've been giving out chances every time
And all you do is let me down
And it's taking me this long
Baby but I figured you out
And you're thinking we'll be fine again
But not this time around
You don't have to call anymore
I won't pick up the phone
This is the last straw
Don't wanna hurt anymore
And you can say that you're sorry
But I don't believe you baby
Like I did before
You're not sorry, no, no, no, no
Looking so innocent
I might believe you if I didn't know
Could've loved you all my life
If you hadn't left me waiting in the cold
And you got your share of secrets
And I'm tired of being last to know
And now you're asking me to listen
Cause it's worked each time before
But you don't have to call anymore
I won't pick up the phone
This is the last straw
Don't wanna hurt anymore
And you can tell me that you're sorry
But I don't believe you baby
Like I did before
You're not sorry, no, no, oh
You're not sorry, no, no, oh
You had me falling for you honey
And it never would've gone away, no
You used to shine so bright
But I watched all of it fade
So you don't have to call anymore
I won't pick up the phone
This is the last straw
There's nothing left to beg for
And you can tell me that you're sorry
But I don't believe you baby
Like I did before
You're not sorry, no, no, oh
You're not sorry, no, no, oh
No, oh, no, oh, no oh
Whoa, no, no
Saturday, May 14, 2011
This Is For My Face
Saturday, April 16, 2011
Bitter Sweet Symphony
'Cause it's a bittersweet symphony, this life
Trying to make ends meet
You're a slave to money then you die
I'll take you down the only road I've ever been down
You know the one that takes you to the places
where all the veins meet yeah
No change, I can't change
I can't change, I can't change
But I'm here in my mind
I am here in my mind
But I'm a million different people
from one day to the next
I can't change my mind
No, no, no, no, no, no, no,no,no,no,no,no(fading away)
Well I never pray
But tonight I'm on my knees yeah
I need to hear some sounds that recognize the pain in me, yeah
I let the melody shine, let it cleanse my mind, I feel free now
But the airways are clean and there's nobody singing to me now
No change, I can't change
I can't change, I can't change
But I'm here in my mind
I am here in my mind
And I'm a million different people
from one day to the next
I can't change my mind
No, no, no, no, no, no, no
I can't change
I can't change it
'Cause it's a bittersweet symphony, this life
Trying to make ends meet
Trying to find some money then you die
I'll take you down the only road I've ever been down
You know the one that takes you to the places
where all the veins meet yeah
You know I can't change, I can't change
I can't change, I can't change
But I'm here in my mind
I am here in my mind
And I'm a million different people
from one day to the next
I can't change my mind
No, no, no, no, no
I can't change my mind
no, no, no, no, no,
I can't change
Can't change my body,
no, no, no
I'll take you down the only road I've ever been down
I'll take you down the only road I've ever been down
Been down
Ever been down
Ever been down
Ever been down
Ever been down
That you've ever been down
That you've ever been down
Tuesday, April 12, 2011
To Get This Off My Chest...
Thursday, April 7, 2011
A Vignette
A vignette is a short impressionistic scene that focuses on one moment or gives a trenchant impression about a character, an idea, or a setting and sometimes an object. -Wikipedia
Our house was empty at the time. It is only my father, my brother, and me, curled together on an air mattress on the blue ocean carpet in the middle of four crumbling, moldy walls. I can see through the shadows of the night the outline of the fox skin my father has hung on one of the crumbling, moldy walls. He found the fox dead on the side of the road and thought it was too beautiful to leave there. He brought it back in his large blue truck, skinned the dead carcass, and it has hung in its place upon the crumbling, moldy walls ever since.
They weren’t always crumbling and moldy, the walls. Though the walls have always been white, they were never bland. My mother saw to that with her knickknacks and her decorating, but now my mother is gone from this place, taking the Prince Street dwelling’s possessions with her. She deserves them anyway and soon my brother and I will leave this place too. Leave it forever, leave it for good.
But the walls weren’t always crumbling and moldy and they once were the bedroom of my parents when they were both still my parents and I could call them that. Now, I can only call them my mother, my father. Separate. These crumbling, moldy walls once surrounded a loving couple’s bedroom. Their bedroom had a bed they shared and closet where they both kept their clothes and a dresser with a television they both used to watch. My parents used to watch this television together as the fox skin hung above it. They were once together. There was once these items here. Now it’s just the air mattress, my father, my brother, the dead carcass on the wall, and me.
Down the hall, my bedroom has nothing in it, though these walls are not so crumbling and moldy. It used to have all my books, stacked in shelves along the wall, piled under my bed, in columns along my desk so that I would have to do my kindergarten homework on my bed. All these are gone and I’m not quite sure where they went. The blue ocean carpet has a burn in it right next to the doorway, where the carpet melted to the hardwood floor beneath from the one time my lamp fell off a pile of books and it didn’t have a lampshade on. I was already in bed, afraid to get out because I thought a ghost had pushed the lamp over, and I called for my parents until they came to pick it up and blow out the smoking ocean carpet. It wasn’t the first time I had watched something burn so easily. It wouldn’t be the last.
The other rooms are empty as well and my father will feel guilty about this as we squat in a house that used to be our family’s but is now owned by a bank. I’m not sure what bank it was but I thought at the time it was called ‘Foreclosure.’ He will feel so guilty about the emptiness that he will buy my brother and me a whole pack of toilet paper and we will be able to run and fling it all throughout the inside of our house because at least the toilet paper seems to fill it up. We didn’t even have to worry about cleaning it because it will be the last time we will ever be there.
Between those crumbling and moldy walls, the three of us lie on the air mattress. It is summer and sticky and the sliding glass door that leads to our deck is open. Past the deck, I can see the broken trees that hold broken swings that used to hold a not broken me. Once, I sat on the swings in the rain while eating stolen salad vegetables. I kept stealing carrots as my parents peeled them in the kitchen my parents once cooked in together because I didn’t want my eyesight to go bad and carrots were supposed to save your eyesight. Also a lie. I can see the deck and the broken trees and the broken swings in the light of the stars from the air mattress on the ocean carpet because where I am is not a city yet and there are not so many people that you cannot see the stars.
The kitchen has always looked crumbling because one whole wall is brick and cement middles and cement spills. My parents would cook meals in here but all I can smell when I wander through is the dust from the brick wall and my parents’ footprints. I know they used to be here. At one time or another, we had a coffee maker on our dining room table. I would climb up on a chair and turn the switch on and off, on and off and watch the see-saw switch light up a fluorescent orange when I pressed it down to turn it on. Then, for no reasons my four-year-old self could later explain as my parents bandaged my blistering fingers, I stuck my hand on the heating pad and watched as my skin burned until the smell alerted my parents and they came running in to save me. All I knew was that it was easy. The kitchen is empty now too and when I wake in the morning I know there will be no breakfast. There are no salad vegetables left to steal tonight.
Alanis echoes from the white, paint splattered boombox in the bathroom and this is what I remember most of that sticky summer night curled up on an air mattress with my father, my brother and only myself staring at the fox skin, a dead carcass pinned to the crumbling, moldy wall above a dead family. It wasn’t my mother who left us all like this. If it was in her power, she would never have let us come back, but it will be a few years from the sticky summer night on the air mattress between the four crumbling and moldy walls until she will have that power. And then my father will relinquish my brother and me forever, for good.
When no one breathes inside a house, you can’t expect the walls not to become crumbling and moldy. There’s no life. A house, as fallen as its family, stands in darkness on Prince Street on a sticky summer night. Ghosts sleep inside on an air mattress between four crumbling, moldy walls that once surrounded a loving couple’s bedroom. It can’t keep everything. It can’t keep its fox skin on the wall. It can’t keep its music. It can’t keep its echoes. It can’t keep its books. It can’t keep its ocean carpet. It can’t keep its walls. It can’t keep its rooms. It can’t keep its trees. It can’t keep its swings. It can’t keep the people inside. It can’t keep the people inside happy. It can’t keep the people inside safe. It can’t keep the family inside whole.
When its walls are crumbling and moldy, the fallen house can’t keep everything.
Tuesday, April 5, 2011
Living Life: An Arbitrary Account of my Absence
Monday, February 14, 2011
St. Valentine Secrets: Things Better Left Said By PostSecret

















